1. 15:40 29th Lug 2014

    Note: 167

    Rebloggato da legsofheaven

     
  2. 12:20

    Note: 538

    Rebloggato da lottereinigerforever

    image: Scarica

    communicants:

Okada Mariko, Yasujiro Ozu and Tsukasa Yoko on the set of Late Autumn.

    communicants:

    Okada Mariko, Yasujiro Ozu and Tsukasa Yoko on the set of Late Autumn.

     
  3. 15:40 28th Lug 2014

    Note: 299

    Rebloggato da lottereinigerforever

    image: Scarica

    nearlyvintage:

Steven Spielberg and E.T. (1982)

    nearlyvintage:

    Steven Spielberg and E.T. (1982)

     
  4. 12:20

    Note: 650

    Rebloggato da legsofheaven

    lingeriesheaven:

Lingeries and Stockings
     
  5. 15:40 27th Lug 2014

    Note: 8

    Rebloggato da bathtubginjazz

    image: Scarica

    bathtubginjazz:

The Fiend Who Walked the West

    bathtubginjazz:

    The Fiend Who Walked the West

     
  6. 12:20

    Note: 241

    Rebloggato da lottereinigerforever

    image: Scarica

     
  7. 15:40 26th Lug 2014

    Note: 134

    Rebloggato da cinephiliabeyond

    cinephilearchive:

    Pushing the boundaries of seventh art: Michelangelo Antonioni during the shooting of ‘Blow-Up.’

    “Antonioni approached filmmaking like an author examining the character, and how best to represent and develop a character on screen. He also wanted to find a different way to tell his stories, something he had learnt from his time as a documentary filmmaker. Antonioni would keep the camera running long after the actors had delivered their lines. He claimed it made the actors relax and behave more naturally, more spontaneously, as they were caught unguarded, while the over-extended pause created tension. His actors were filmed in an exacting way, by which the framing would best explain something about their character. As Antonioni once wrote: ‘A line spoken by an actor in profile does not have the same meaning as one given full-face. A phrase addressed to the camera placed above the actor does not have the same meaning it would if the camera were placed below him.’” —On directing ‘Blow-Up’: ‘I am not God, but I am Michelangelo Antonioni’

    Antonioni was still three years from the U.S. release of ‘Zabriskie Point’ when he sat for a Playboy Interview in 1967.

    For more, see our archive under the tag, “Michelangelo Antonioni.”

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  8. 12:20

    Note: 21

    Rebloggato da bathtubginjazz

    image: Scarica

    bathtubginjazz:

Jane Russell

    bathtubginjazz:

    Jane Russell

     
  9. 15:40 25th Lug 2014

    Note: 11113

    Rebloggato da lospaziobianco

     
  10. 12:20

    Note: 6505

    Rebloggato da letmedothis